"Frantz Fanon: Black Skin, White Mask.
"Errol Morris's Construction of Innocence in The Thin Blue Line." Rocky Mountain Review of Language and Literature, vol."The thin blue line." Films in Review; SO: Vol.58-62, uC users only, arthur, Paul.Though occasionally unnuanced, the film never reduces the outbreak of war to a single cause and never denies that wars have multiple causes."Fifty Years of Political Filmmaking: An Interview with Joris Ivens." Cineaste, vol.After her husband's death, Josie starts dating the town sheriff Harry.This film in its resistance to closure, contests the assumptions that there is a final signified and that this final signified can be reproduced.New Brunswick, New Jersey: Rutgers University Press, 1995.Main: PN1995.9.D6 W24 2008 Table of contents ml Walker, Janet Trauma cinema: documenting incest and the Holocaust.She then discusses how television documentary's use of commentary and editing practices, particularly when memories are interlaced with archive footage or images, either constrains or opens up the interrogative capacity of witnesses' memory work." Art Index Making history: art and documentary in Britain from 1929.Main Stack PN1993.5.A1.S555 2002 Slide, Anthony.
White, Armond "Racing ahead." (Young, British and Black, the touring series of independent films) Film Comment v 24 July/Aug 1988.
News World Report Jan 14, 2002 p46 UC users only Not for Ourselves Alone: The Story of Elizabeth Cady Stanton Susan.
Together with his wife Sarah and his daughter Laura, his family is seemingly perfect.
UC users only Film and the First World War Edited by Karel Dibbets, Bert Hogenkamp.
Berkeley: University of California Press, c1992.
She hasn't decided if she wants to remain in the secular world, but is willing to see what it can offer her.Main: PN1998.2.P277 2005 Table of contents ml Papazian, Elizabeth Astrid."Looking through the lens of a groundbreaking director; Profile / Errol Morris." (Features Arts Leisure) Christian Science Monitor (Dec 31, 1999.UC users only Campo-Flores, Arian.Furthermore, although More4 originally promised a space for idiosyncratic authored documentaries, the commitment to broadcasting British work seems to have waned, and Channel 4's British Documentary Film Foundation, which was set up to make development funds available, has been criticised as being financially inadequate."Visual ethnographers Robert Flaherty and Timothy Asch's ethnographic films reflected and helped develop the methodology and themes of ethnographic research.